VIII The Earlier Seventeenth Century: General, Prose, Women'sWriting
Identifieur interne : 000774 ( Main/Exploration ); précédent : 000773; suivant : 000775VIII The Earlier Seventeenth Century: General, Prose, Women'sWriting
Auteurs : James Doelman ; Lisa WaltersSource :
- The Year's Work in English Studies [ 0084-4144 ] ; 2004.
Descripteurs français
- Wicri :
- topic : Lutte des classes, Historique, Manuscrit, Culture populaire.
English descriptors
- KwdEn :
- Advice books, Aemilia, Aemilia lanyer, Alice sutcliffe, Anna trapnel, Anne clifford, Anthology, Aphra behn, Aristocratic privilege, Arundel circle, Ashgate, Authorship, Autobiographical writings, Biographical information, British church, British history, British problem, Cambridge history, Cary, Cavendish, Class struggle, Conrad russell, Costume dramas, Criminal culture, Cultural dissidence, Defence, Devotional poetry, Donald beecher, Dorothy osborne, Early stuart essays, Early stuart period, Edwin sandys, Elizabeth, Elizabeth cary, Elizabeth evelinge, Elizabeth poole, English accession, English literature, English renaissance literature, English renaissance tragedy, English revolution, English women writers, Englishwoman, Essential works, Excellent introduction, Facsimile library, Female audiences, Female authorship, Female body, Female hero, Female role, Feminist critic, Feminist historiography, Final chapter, First chapter, Gender, Gender debate, Gender politics, Gender role, Genre, George sandys, Good basis, Hadfield, Heroism, Hilary hinds, Historical account, Historical context, Historical imagination, Historical scholarship, Historiography, Important element, Individual chapters, Interdisciplinary essays, Isbn, James doelman, Katherine philips, King james, Lady mary wroth, Lanyer, Latter half, Lisa walters, Literary authority, Literary form, Literary forms, Literary genres, Literary scholars, Literary studies, Literary works, Literate experience, Main chapters, Male authors, Manuscript, Manuscript circulation, Manuscript culture, Manuscript publication, Manuscript texts, Margaret cavendish, Mary astell, Mary beth, Mary carleton, Mary sidney, Mary wroth, Medical history, Medical marketplace, Medical publishing, Medical works, Modern texts, Natural science, Opening chapters, Overview, Palgrave, Pamphlet, Pamphlet debate, Patriarchal, Patricia phillippy, Patronage system, Paul salzman, Personal disclosures, Plain style, Poetic resistance, Political context, Popular culture, Present state, Print culture, Prose fiction, Public sphere, Publication history, Pudentiana deacon, Queen elizabeth, Rachel speght, Racial identity, Recent scholarship, Reception history, Renaissance england, Renaissance queens, Rhetorical, Rhetorical violence, Richard cust, Roman antiquity, Roman invasions, Royal court, Salve deus, Same series, Sandys, Sarah wight, Science fiction, Scottish literature, Seventeenth, Seventeenth century, Sociable companions, Social position, Southwell, Stuart england, Stuart period, Subjectivity, Swetnam controversy, Textual production, Theoretical framework, Third section, Transversal performance, Trapnel, True relation, Useful introduction, Various theories, Watkins, Wide range, Wide selection, Wide variety, William temple, Witchcraft reader, Women authors, Women writers, Wroth.
- Teeft :
- Advice books, Aemilia, Aemilia lanyer, Alice sutcliffe, Anna trapnel, Anne clifford, Anthology, Aphra behn, Aristocratic privilege, Arundel circle, Ashgate, Authorship, Autobiographical writings, Biographical information, British church, British history, British problem, Cambridge history, Cary, Cavendish, Class struggle, Conrad russell, Costume dramas, Criminal culture, Cultural dissidence, Defence, Devotional poetry, Donald beecher, Dorothy osborne, Early stuart essays, Early stuart period, Edwin sandys, Elizabeth, Elizabeth cary, Elizabeth evelinge, Elizabeth poole, English accession, English literature, English renaissance literature, English renaissance tragedy, English revolution, English women writers, Englishwoman, Essential works, Excellent introduction, Facsimile library, Female audiences, Female authorship, Female body, Female hero, Female role, Feminist critic, Feminist historiography, Final chapter, First chapter, Gender, Gender debate, Gender politics, Gender role, Genre, George sandys, Good basis, Hadfield, Heroism, Hilary hinds, Historical account, Historical context, Historical imagination, Historical scholarship, Historiography, Important element, Individual chapters, Interdisciplinary essays, Isbn, James doelman, Katherine philips, King james, Lady mary wroth, Lanyer, Latter half, Lisa walters, Literary authority, Literary form, Literary forms, Literary genres, Literary scholars, Literary studies, Literary works, Literate experience, Main chapters, Male authors, Manuscript, Manuscript circulation, Manuscript culture, Manuscript publication, Manuscript texts, Margaret cavendish, Mary astell, Mary beth, Mary carleton, Mary sidney, Mary wroth, Medical history, Medical marketplace, Medical publishing, Medical works, Modern texts, Natural science, Opening chapters, Overview, Palgrave, Pamphlet, Pamphlet debate, Patriarchal, Patricia phillippy, Patronage system, Paul salzman, Personal disclosures, Plain style, Poetic resistance, Political context, Popular culture, Present state, Print culture, Prose fiction, Public sphere, Publication history, Pudentiana deacon, Queen elizabeth, Rachel speght, Racial identity, Recent scholarship, Reception history, Renaissance england, Renaissance queens, Rhetorical, Rhetorical violence, Richard cust, Roman antiquity, Roman invasions, Royal court, Salve deus, Same series, Sandys, Sarah wight, Science fiction, Scottish literature, Seventeenth, Seventeenth century, Sociable companions, Social position, Southwell, Stuart england, Stuart period, Subjectivity, Swetnam controversy, Textual production, Theoretical framework, Third section, Transversal performance, Trapnel, True relation, Useful introduction, Various theories, Watkins, Wide range, Wide selection, Wide variety, William temple, Witchcraft reader, Women authors, Women writers, Wroth.
Abstract
This chapter has three sections: 1. General; 2. Prose; 3. Women's Writing. Sections 1 and 2 are by James Doelman; section 3 is by Lisa Walters.
Url:
DOI: 10.1093/ywes/mah008
Affiliations:
Links toward previous steps (curation, corpus...)
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Le document en format XML
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<term>Dorothy osborne</term>
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<term>Gender politics</term>
<term>Gender role</term>
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<term>Good basis</term>
<term>Hadfield</term>
<term>Heroism</term>
<term>Hilary hinds</term>
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<term>Historical context</term>
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<term>Individual chapters</term>
<term>Interdisciplinary essays</term>
<term>Isbn</term>
<term>James doelman</term>
<term>Katherine philips</term>
<term>King james</term>
<term>Lady mary wroth</term>
<term>Lanyer</term>
<term>Latter half</term>
<term>Lisa walters</term>
<term>Literary authority</term>
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<term>Literary forms</term>
<term>Literary genres</term>
<term>Literary scholars</term>
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<term>Literary works</term>
<term>Literate experience</term>
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<term>Male authors</term>
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<term>Manuscript culture</term>
<term>Manuscript publication</term>
<term>Manuscript texts</term>
<term>Margaret cavendish</term>
<term>Mary astell</term>
<term>Mary beth</term>
<term>Mary carleton</term>
<term>Mary sidney</term>
<term>Mary wroth</term>
<term>Medical history</term>
<term>Medical marketplace</term>
<term>Medical publishing</term>
<term>Medical works</term>
<term>Modern texts</term>
<term>Natural science</term>
<term>Opening chapters</term>
<term>Overview</term>
<term>Palgrave</term>
<term>Pamphlet</term>
<term>Pamphlet debate</term>
<term>Patriarchal</term>
<term>Patricia phillippy</term>
<term>Patronage system</term>
<term>Paul salzman</term>
<term>Personal disclosures</term>
<term>Plain style</term>
<term>Poetic resistance</term>
<term>Political context</term>
<term>Popular culture</term>
<term>Present state</term>
<term>Print culture</term>
<term>Prose fiction</term>
<term>Public sphere</term>
<term>Publication history</term>
<term>Pudentiana deacon</term>
<term>Queen elizabeth</term>
<term>Rachel speght</term>
<term>Racial identity</term>
<term>Recent scholarship</term>
<term>Reception history</term>
<term>Renaissance england</term>
<term>Renaissance queens</term>
<term>Rhetorical</term>
<term>Rhetorical violence</term>
<term>Richard cust</term>
<term>Roman antiquity</term>
<term>Roman invasions</term>
<term>Royal court</term>
<term>Salve deus</term>
<term>Same series</term>
<term>Sandys</term>
<term>Sarah wight</term>
<term>Science fiction</term>
<term>Scottish literature</term>
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<term>Seventeenth century</term>
<term>Sociable companions</term>
<term>Social position</term>
<term>Southwell</term>
<term>Stuart england</term>
<term>Stuart period</term>
<term>Subjectivity</term>
<term>Swetnam controversy</term>
<term>Textual production</term>
<term>Theoretical framework</term>
<term>Third section</term>
<term>Transversal performance</term>
<term>Trapnel</term>
<term>True relation</term>
<term>Useful introduction</term>
<term>Various theories</term>
<term>Watkins</term>
<term>Wide range</term>
<term>Wide selection</term>
<term>Wide variety</term>
<term>William temple</term>
<term>Witchcraft reader</term>
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<front><div type="abstract" xml:lang="en">This chapter has three sections: 1. General; 2. Prose; 3. Women's Writing. Sections 1 and 2 are by James Doelman; section 3 is by Lisa Walters.</div>
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